TUESDAY 14TH MAY 2019
Doors 7:30pmShow starts 8pmOn sale Friday 21st December
The Fallen Angels Club presents Yola
Yola’s debut album Walk Through Fire, produced by Dan Auerbach, is a genre-bending release from one of the most powerful emerging British voices in music today. The singer/ songwriter ﬁrst came to the attention of Auerbach (The Black Keys) after a chain of people, starting with her manager, forwarded a video of her performing in Nashville that eventually found itself in Auerbach’s inbox. Tastemaker media also saw promise in Yola’s early recordings and live performances in Nashville–NPR, Rolling Stone Country, the Wall Street Journal, Paste, and Stereogum all praised Yola, comparing her to a diverse range of artists from the Staples Singers to Dolly Parton.
Auerbach assembled a writing team that included Yola, long time John Prine collaborator Pat McLaughlin, and the legendary Dan Penn (“Dark End of the Street,” “Cry Like A Baby,” “Do Right Woman, Do Right Man,”), among others, to write together over ﬁve days in Auerbach’s Nashville studio. There was a ﬂuidity to their collaboration, with loose boundaries that gave the assembled musicians a wide canvas.
To record Walk Through Fire, Auerbach assembled some of the most iconic session musicians performing today: bassist Dave Rowe (Johnny Cash, Dwight Yoakam, Chrissie Hynde), keyboardist Bobby Wood (Elvis, Wilson Pickett, George Jones), drummer Gene Chrisman (Aretha Franklin, Dusty Springﬁeld, Johnny Bush), steel player Russ Pahl (Don Williams, Leon Russell, Nikki Lane), and guitarist Billy Sanford (Roy Orbison, Waylon Jennings, Tammy Wynette). Guests also joined, including Vince Gill (whose tangled counter vocal is heard on “Keep Me Here”) and bluegrass icons Ronnie McCoury, Molly Tuttle, Stuart Duncan, and Charlie McCoy.
Yola Carter raised on the coast of Southwest England, where she did not ﬁt in and life was hard, ﬁnding herself in the easy camaraderie of Dan Auerbach’s studio was the realization of a childhood dream. Yola’s mother’s choice to raise her daughter in a small town outside of Bristol, where she could play outside, meant that Yola was “other” from the start. Between the isolation of being the only black family around, the family’s poverty, and a turbulent home life, Yola needed refuge, which
she found in her mother’s record collection; among the albums she clung to was Aretha Franklin’s Young, Gifted & Black.
Yola also will be a guest on Jools's Annual Hootenanny on Hogmanay this year.